Thursday, 16 April 2015
Friday, 6 February 2015
Wednesday, 4 February 2015
Tuesday, 3 February 2015
Sunday, 1 February 2015
Friday, 23 January 2015
Monday, 19 January 2015
Wednesday, 17 December 2014
Tuesday, 9 December 2014
Filming schedule
Filming schedule
|
TIME
|
WHAT
WE DID
|
|
9:30-10:45
|
Sorting out all the different props and
costumes read for filming at 11
|
|
10:45-11:00
|
Getting to the location and start
setting up camera and tripod and the
area of where we are going to film
|
|
11:00-12:30
|
Begin filming the starting scenes of
which the detective appears at the location and slowly makes his way towards
the murder scene.
|
|
12:30-01:15
|
Lunch
Break
|
|
1:15-2:15
|
Begin to film again and finish all the
scenes needed from that location, in which the detective gets to the murder
location, looks around finds his partner dead.
|
Monday, 24 November 2014
Sound
Sound
For our sound we have figured out the different sound effects we are going to use throughout the opening sequence but we haven't quite decided on a soundtrack as of yet.
Firstly the scene starts of with a piece of dialogue between an unknown man and a detective, the first sound effect we are going to use is an old style telephone ringing and the phone being picked up and the dialogue will then start to roll, as the dialogue is rolling a quite quiet ticking sound will be placed underneath the speaking and this will then start to crescendo as the dialogue is coming to the end and will then stop when the file is slammed onto the table this then signifying the start of the soundtrack.
With the soundtrack we actually haven't got one yet but we have a small idea of what we want to use; something that crescendos as the sequence rolls to build tension and pace getting the audience gripped not only with what is happening in the sequence but the sound contributing to the atmosphere as well. Something that has a rhythm that is continuous but then has a strong beat in the background giving the whole soundtrack a hearty melody, also getting inspiration from Sherlock Holmes maybe try get a soundtrack that has some out of tune instruments to signify age and history to the hole piece complimenting the old style detective genre we strongly wanted to recreate.
Risk Assessment
Hazard
|
Possible Risk
|
Prevention
|
Needles (H)
|
The reason for the needles is because at the wellhead bridge there have been reports of drug abuse in this area.
|
To inspect the area for any evidence of drug abuse, if there is any evidence then we abort the plan of using the wellhead bridge.
|
Broken Glass (H)
|
The reason for having this is because there have been reports of ASBO’s in this area which have resulted in people acting drunk in the area.
|
This will be prevented by the group thoroughly checking our filming area to make sure that there is no glass to harm us.
|
Slippery Surfaces
(H)
|
Due to the age of railway bridge , the supports used are concrete and over time have been covered in moss creating a slippery surface.
|
To prevent falling over due to the slippery surfaces, we will make sure that we wear appropriate footwear that has a good grip. We will also make sure that we are aware of our surroundings, this will ensure that we don’t step on any slippery surfaces.
|
Fall off the Bridge
(L)
|
The railway bridge we are using is no longer being used, this means the railings aren’t as strong as they once were. This means they aren’t as reliable .
|
This could be prevented by our group being wary of the surroundings and to make sure that when we are filming we are far away from the edge of the bridge.
|
Tripping over (H)
|
Due to the railway bridge being old there are bricks and rocks that fall off the bridge. This means the terrain is fairly rock and can be sharp .
|
To ensure we do not fall over and possibly cut ourselves or break something, we will make sure we are careful about where we are filming, how we are filming and our general surroundings.
|
Loose Bricks/ Falling Debris (L)
|
Due to the railway bridge being old , it means there will be parts of the bridge that will being to flake off because of its age. At times due to whether especially if it’s windy, loose bricks and debris will fall onto the group.
|
To prevent this from happening we will make sure that we film at places that aren’t as weak and fragile, to minimize the risk of loose bricks and falling debris. We can also minimize the risk of this happening if we don’t tamper with the bridge and make sure that we aren’t too forceful with bridge.
|
Saturday, 22 November 2014
Location Scouting photos
We chose this specific location for many different reasons, the first reason is that it is very accessible for all of the group to get to as we all live quite near so it is planned tot he point that we can easily get quite a lot of the production filmed. But the main reason we chose this area/location is that it is very fitting for our genre; it's in a very secluded area yet also quite urban as it is an abandoned railway bridge, the secluded side adds mystery and curiosity as the detective walks through and over fields to get there so the audience from the beginning are guessing where he is going and what he is going to find when he eventually gets there. The urban side of the bridge gives a gritty and on the edge atmosphere to the genre as an abandoned location has the element of suprize that anything could happen and it also adds tension as the location has potential hazards not only in the narrative but to us the production team ourselves. The overall location just compliments the whole film noir/detective genre perfectly, lots of nooks and crannies and small areas perfect for good camera angles and shots to produce a good looking range of shots helping to add to the tension and mystery to the whole moviescape. Also the location has many places the main scenes where the dead detective can be placed as its a quite large area, plent of room to put props adding even more to the feel of the detective genre.
Friday, 21 November 2014
Shot list of our final production
|
Shot number
|
Shot type
|
Reasoning
|
|
1
|
N/A
|
For the first three shots there will be no shots at all as the screen
will be black and only audio will be playing, we have done it like this to
add tension and mystery straight from the start of the opening sequence, the
audio is between the detective and an unknown man in which the unknown man
tells the detective that they have new information on a case 3 years ago in
which his old partner died, this automatically gives the audience some of the
narrative and immediately creates mystery as it gets the audiences mind
running straight off the bat. (For more info on this scene look at the story
boards where it is explained fully)
|
|
2
|
||
|
3
|
||
|
4
|
Jump cut from black to an Ariel shot
|
Straight after the black shots and the audio is finished there is a
sudden jump cut to an Ariel shot in which the main prop file is slammed onto
the table and then opened up. The use of the jump cut and the file being
slammed onto the table has been used to add action into the scene to
compliment the mystery, keeping the audience more on the edge of their seats.
|
|
5
|
Ariel shot/pan to close up
|
After the folder is opened the Ariel shot pans across the pages to
show what looks like old case notes giving the prop a sense of authenticity
and realism to the scene as it actually looks like an old detective case file.
After panning across the pages the camera will then zoom in for a close shot
of the first title of director, once stayed on the title for a little while
it will then zoom back out to the original Ariel shot.
|
|
6
|
Ariel shot to close up and then pans to more close ups
|
Once the pages have turned a little more it will come to a double
spread in which the camera will then zoom in for a close up for the second
title, after this it will pan down to the third title, a pan diagonally
upwards will go to the fourth title and then pan down to the fifth title. And
back out to the Ariel shot.
|
|
7
|
Exactly the same as shot 6
|
And again exactly the same for shot 6 but for the sixth, seventh,
eighth and ninth titles.
|
|
8
|
Ariel shot
|
After zooming out from the ninth titles and again more pages have
been turned it will then come to the main double spread of the detective and
the victim, this shot more prominent than the others to emphasise them being
the main characters.
|
|
9
|
Zoom to close shot
|
After the Ariel shot of the main titles of the characters it will
zoom to a close up of the picture of the detective and his titles what will
be the graphic match to a flashback of the investigation 3 years ago.
|
|
10
|
Medium shot
|
After the graphic match to go into the flashback has occurred it will
then be a medium shot of the detective at the scene of the investigation in
which he will be walking towards the murder scene.
|
|
11
|
Long shot
|
As the detective walks towards the murder scene the shot will turn
into a long shot.
|
|
12
|
Zoom out to Ariel shot and then close up of victim title and picture
|
After zooming out of the moving scene to the Ariel shot of the
folder, after this the camera will then zoom to a close up of the victims
title and a picture of him and again this will be used as a graphic match to
the next flashback of the victim
|
|
13
|
High angle medium shot to long shot
|
After the graphic match, there will be a high angle medium shot of
the victim (dead detective partner) laying on the ground or sitting against
the wall or something like that what will then zoom out or cut to a long shot
of the detective walking to the victim, crouching and inspecting the body
with a small notebook and may cover the body with his coat.
|
|
14
|
Zoom out to Ariel shot
|
After the flashback has finished it will again zoom out of the
flashback and again back to the Ariel shot of the double page spread of the
main titles.
|
|
15
|
Again another repeat of shot sequence 6
|
Again another repeat of shot sequence 6
|
|
16
|
Ariel shot of ident
|
After the final set of titles are shown the file is then picked up
and slammed onto the table again but this time the other way round what will
then show our ident of ‘INQUISITIVE PRODUCTIONS’ presents..... And then a transition
will roll into the main title of the film to be revealed.
|
|
17
|
Jump cut to black screen
|
A black screen will then suddenly appear and the main title of our
film ‘ENIGMA’ will then be shown but in a more effective way , the tile will
be spelled out letter by letter in a typewriter font and as each letter
appears the sound of the typewriter keys will be heard.
|
If more information is needed there is more details on how the shots and the mise-en-scene fit the genre and the meaning we want to create this info will be found on the analysed storyboards seen earlier on my blog in the planning section.
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